Not the End
Usually, this would be the end of the story, the car is cancelled, then forgotten to history. But, Alessandro de Tomaso didn’t want the cars to go to waste, and so instructed the small development team behind the Quattroporte II to complete the thirteen prototypes they’d made, then sell them to customers while the rest of Maserati went to work on more traditional Maseratis. The issue was, as the Quattroporte IIs were just prototypes, they were all slightly different. Not only this, but they couldn’t be sold in Europe because they weren’t actually production cars.
One of the things that was slightly different for each cars was the dashboard. Two of them had digital dashboards, one of the cars being the inhouse prototype and the other being the one they showed at the Paris Motor Show. The issue was, the company they got the dashes from said they could do a minimum order of about 300, so Maserati went and took the Merak gages and fitted them to the other 11 cars.

Another thing was the wipers, the original prototype had two wipers, that made meant that not enough of the windshield was covered by the wipers, and wasn’t road legal. So, when one of the workers went to buy the Merak gages from the company that made then, he saw that they also made a three wiper system, so he picked a few of them up to fit to the Quattroporte II.
Another thing was the wheels, they kept trying different styles of wheels on the cars, so when they sold them, most had different wheels. One just had SM wheels, while the others had different, bespoke wheels.

When putting the cars together, some of the engineers noticed that they were running low on suspension components. So they took a small truck and drove to one of the last factories producing the last of the SMs, and nicked some suspension components to fit to the Quattroporte II.

After the cars were cobbled together, they went off to try and find buyers. As previously said, they couldn’t sell the car in Europe, and even if they could, as it was the oil crisis, and the car was basically just an SM, finding buyers would’ve been impossible anyway. They did manage to find some buyers however, five went to Saudi Arabia, two to Qatar, and five to Spain, which then wasn’t part of Europe.
Because of the tiny number of cars, they each have an interesting story to tell. One, Maserati’s blue prototype with SM wheels and a digital dashboard that was changed to a Meraki dashboard before it was sold to a company in Spain who used it as a company car. But after it developed a series engine issue at about 34,000kms, it was abandoned in a shed and after a few years of it being lost, declared gone forever by Maserati, and even forgotten. For a while, it was stated that only 12 Quattroporte IIs were made, until this blue car was found, perfectly preserved in a barn, still with cigarette bums in the ashtray.

Another Quattroporte II was the cream one that was shown at motor shows. This one was the one with all the bells and whistles, and the only one that left the factory with its digital dashboard. This one didn’t have the SM wheels, but bespoke Maserati ones. This one eventually found its way to an English owner who fully restored it before travelling almost 20,000kms in it and then selling it a few years ago.

Of the original 13, only 4 are known to still exist, and only 2 are known to still be on the road.
Possibly the most human car I know
One of the things I love in cars is a sense of humanity behind it. The idea that a car isn’t just a hunk of metal, but something that has a great story behind it and real car behind it. Every car on Earth has story, someone got it as their first car, someone lost their life in one, someone gave birth in one. Someone spend sleepless nights working in it ready for its reveal at a motor show.

I love cars that are more than cars, but as stories, will real people and emotion behind them; and no car that I have researched has ever made me feel quite this much in love with the car as an entity, not just as a machine.
When researching the Covini C6W, I fell in love with it because it was a very good car. But now researching the Quattroporte II I’ve fallen completely in love with it because it isn’t really a car, but a tremendous story, one of people working their hardest to make this strange idea come to fruition. Not only this, but the car wasn’t that bad, with the one or two road tests that exist of this obscure car, they praise it for its incredible ride and smoothness of power deliver. Giving the fact that owners of this car actually still drive them, it implies that the car is actually quite nice to be in. People who drive them talk about terrible handling, but great visibility, super comfy seats, and the perfect amount of power to move this luxury barge along.

When people describe a car as human, they mean that they love it not because its perfect, but because it isn’t perfect. To respect a car is to appreciate its good points, to love a car is to appreciate the things that are wrong. The Quattroporte II has plenty wrong with it, it is, lets not forget, basically a big Citroen with a heavier body. But, that makes it human, that makes it something that you don’t just respect, but love. And goddamn, after researching it, I love the Quattroporte II, this has quickly shot up to being one of my favorite cars of all time.
The Quattroporte II isn’t technically perfect, but it is very human, so it might just be.






































































